What's New at PriceLess Amp Restoration


March 8 2002


November 25 2001


February 17 2001


December 12 2000

First, Ted Weber uses the same basket for all of his vintage series 10" speakers. These baskets are a little larger then Jensen, CTS or Oxford speakers, which were commonly used in Super Reverbs. Depending on the year of Super Reverb, there is a clearance issue with the top left speaker relative to the power or to the output transformer. The Tweed Bassman has the same clearance issue with the power transformer. A while back, Mark Norwine, worked with Ted Weber to design a basket with a special cut-out to be used in the upper left position in a Tweed Bassman. This basket cut-out solution works with Super Reverbs from 1964 to 1966. In 1967, Fender apparently was planning on using taller power transformers. Fender therefore changed the soundboard design and moved the upper left speaker cut-out to the right to allow for the taller power transformer. (Note, Fender did not start using a taller power transformer until later in approximately 1971). So when mounting a Weber vintage series speaker in a 1967 or later Super Reverb with an off-set upper left speaker cut-out, the top left speaker, even with the specially designed basket cut-out, does not have enough clearance relative to the output transformer. Rotating or re-mounting the top left speaker will not yield sufficient output transformer clearance. A new soundboard must be cut to match the symmetrical soundboard of pre 1967. With a symmetrically cut soundboard, the specially designed basket cut-out will have enough clearance to the power transformer and thus allow the chassis to be mounted to the cabinet using the existing chassis/cabinet mounting holes.


1967 Super Reverb and 1968 Super Reverb soundboard. Note off-set upper left cut-out.


1968 Super Reverb with new soundboard and Weber P10Q's. Note basket cut-out.


August 21 2000

 


June 10 2000


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